This is an installation piece composed of 50 marble passports of 50 different countries, with the text and images from real passport covers faithfully engraved on much thicker marble at their original size. Passports are intended to prove the identity of the holder, demonstrating the legitimacy, recognition, and traceability of one's identity. Passports signify friendliness and establish that the holder is not a threat, allowing them to pass through customs. On the other hand, the heaviness, coldness, untraceability, and inability to flip through marble represent non-cooperation, non-validation, incommunicability, and refusal to compromise.

Using a material like marble to reproduce passports is an extreme paradox, where the meaning of individual identity is undermined, stripped, and erased, highlighting the unverifiability and disallowance of proof of identity.

装置作品“用户名或密码不正确”

是由50本大理石护照组成的装置作品，真实护照封面上的文字和图像被原样大小地刻在比实际护照厚得多的大理石上。护照的目的本是证明持有人的身份，证明某人的身份的合法性、受到承认和可追溯性。护照表明友好，并证明持有者不是危险人物，以便护照持有者被允许通过海关。而大理石的沉重、寒冷、无法追踪、不可翻页，表示的却是不合作，不证明，不可沟通，拒绝妥协。使用大理石这样的材质来重现护照是一种极端的悖论，个体身份的涵义被瓦解，被剥夺，被消失，突显身份的不可证明，不允许证明。当这样的个体，被穿着制服的同样已经丧失了身份的穿着制服的官员拒绝入境的时候，我们不禁询问，究竟是谁掌握着权利。

 我们离悲剧只差一步决策

The ongoing presence of violence, continuously employed as a quick and simple means of problem-solving, is disconcerting and disheartening. It represents a profound regression in our collective human nature and civilization. As Mahatma Gandhi wisely stated, "An eye for an eye will only make the whole world blind." This work invites reflection and transcending any primal instincts that drive us to resort to violence, calling for the collective wisdom of peace and understanding.

暴力的持续存在, 持续被作为一种快速简单的解决问题的手段是令人不安和沮丧的，它是我们集体人性和文明的深刻倒退。正如甘地的明智之语：以眼对眼的最终只会让整个世界失明。该作品邀请反思并超越任何驱使我们动用暴力的原始本能，呼吁和平和理解的集体智慧。

One Hundred Percent is an installation artwork that extensively utilizes clothing tags produced en masse in factories as a unique material. By magnifying it, the artwork boldly proclaims that fantasy is a promise and advertising associated with mass production, offering feedback that in the realm of material consumption, it's not just about the products themselves but also about imagination and emotion.The inspiration behind this installation artwork stems from witnessing the frantic pursuit of fast consumption and large-scale production in modern society, as well as people's excessive reliance on materialism. By enlarging what is typically an overlooked small item - clothing tags - into a colossal installation, the artwork seeks to convey a powerful message: we live in a world dominated by labels, packaging, and mass manufacturing, where these tags were once promises of dreams and fantasies.The name of this installation artwork, "one hundred percent," signifies a commitment of the highest purity, but it also carries a hint of irony, questioning whether this commitment is truly worthy of our trust. The artwork prompts viewers to reflect on their roles in the material world, the satisfaction they derive, and their relationship with reality.

百分之百

大量使用了工厂批量生产的服装标签作为别致的材料，放大地宣告了幻想作为批量生产的承诺和宣传，来反馈物质世界消费的不仅仅是商品本身，同时还有想象力和情感。这个装置作品的灵感来源于目睹现代社会对于快速消费和大规模生产的疯狂追逐，以及人们对于物质主义的过度依赖。通过将衣物标签这一通常被忽视的小物件放大成巨大的装置，作品试图传达出一种强烈的讯息：我们生活在一个被标签、被包装、被大规模制造的世界中，这些标签一度是对梦想和幻想的承诺。

这个装置作品的题目：百分之百意味着一种百分之百的最高纯度的承诺，隐含着一种讽刺，询问该承诺是否真的值得我们的信任？作品让观众反思自己在物质世界中的角色，满足感和以及我们和现实的关系。

This installation consists of twelve vibrant, transparent, hollow acrylic glass boxes arranged in a row, forming a rainbow-like spectrum of colors. The text on the boxes, including book titles, authors, publishing houses, and a line of simple yet resolute promotional phrases, is sourced from twelve top-selling self-help books. These books instruct individuals on how to swiftly attain happiness and joy. The sales figures of these books are remarkable, but even more remarkable is the depth of helplessness hidden behind the intense yearning.

这件装置作品由十二个色彩鲜艳、透明、空心的丙烯酸玻璃箱组成，它们排成一排形成了彩虹般的色彩。箱子上的文字，包括书名、作者、出版社，以及一行简单坚定的宣传句，来自12 本真实出版的排名前列的畅销书，教导人们如何迅速地获得快乐和幸福，这些书籍的销量是惊人的，更惊人的是在强烈的渴望背后，有多少深切无助的人们。

生存之道

放大，在这个残酷的世界找找我那电子灵魂